Masaccio florence

Who is masaccio and what is the importance of his art
The "Trinity" was one of the first painting to show a greater understanding of one point perspective in an interior space.
Sveto Trojstvo (Masaccio) – Wikipedija.

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File:Masaccio trinity.jpg

Artist

TitleObject typefresco Genrereligious art Description

The "Trinity" was one of the first painting to show a greater understanding of one point perspective in an interior space. The barrel vault shows the grandeur of Rome. Figures shown are Mary, Saint John and the petitioners on the lower step.

Depicted peopleJesus Date between 1425 and 1428

date QS:P571,+1425-00-00T00:00:00Z/8,P1319,+1425-00-00T00:00:00Z/9,P1326,+1428-00-00T00:00:00Z/9

Mediumfresco

medium QS:P186,Q25631150

Dimensions height: 667 cm (21.8 ft); width: 317 cm (10.4 ft)

dimensions QS:P2048,667U174728

dimensions QS:P2049,317U174728

Collection

institution QS:P195,Q51175

Object locationReferencesAuthority fileSource/PhotographerWeb Gallery of Art: Image Info about artwork

reference_wga QS:P973,"http://www.wga.hu/html/m/masaccio/trinity/trinity.html"

Permission
(Reusing this file)Other versions See Category:Trinity_(Masaccio)

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Coppedè District in Rome

Kvart Kopede u Rimu

Author(s): Nina Rakojević / Language(s): Serbian / Issue: 1/2015

Keywords: Gino Coppedè;Coppedè District;Rome;stile floreale;Art Nouveau;

The international exhibition of decorative arts in Turin introduced avant-garde to Italy. Freedom from historical styles and traditional canons was the key, not only to the Turin program, but to all that was to come in first decades of the twentieth century. It was liberty or stile floreale that emerged as the best architectural solution and Gino Coppedè used that liberty to the fullest. Being one of the most extraordinary figures in Italy in that time, Coppedè managed to reconcile Renaissance, Gothic, Moorish, Babylonian elements in his work. His Quartiere in Rome, near the Piazza Buenos Aires, is an excellent example of his inspiration and enthusiasm. By passing under colossal arch that joins two wings of the Ambassador’s Palace and stepping into a fair

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Holy Trinity (Masaccio)

Fresco painting by Masaccio

The Holy Trinity

Artist	Masaccio
Year	c.1426-1428
Type	fresco
Dimensions	667 cm × 317 cm (263 in × 125 in)
Location	Santa Maria Novella, Florence

The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence. The fresco was among Masaccio's last major commissions and is often cited as one of the first monumental Renaissance paintings to utilize linear perspective.^[1]

History

Masaccio created The Holy Trinity between 1425–1427. He died in late 1428 at the age of 26, or having just turned 27, leaving behind a relatively small body of work.^[2]

Location

The fresco is located along the middle of the basilica's left aisle. Although the configuration of this space has changed since the artwork was created, there are clear indications that the fresco was aligned very precisely