Philipp scholz rittermann biography

Philipp Scholz Rittermann was born in Lima, Peru in 1955 to German parents, who then relocated back to Germany when he was 14.
Rittermann is the product of a unique background: Born in Lima to German parents, his family left Peru for Germany when Rittermann was 14.
Philipp Scholz-Rittermann is a German (active in USA) Postwar & Contemporary artist who was born in 1955.

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Philipp Scholz Rittermann

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Bio

From dramatic panoramic sequences to evocative toy-like images, Philipp Scholz Rittermann's work spans the visual spectrum. He uses urban, industrial, and natural landscapes as canvases to explore recurring themes in his surroundings.

The depiction of the passage of time has been an enduring theme in Rittermann's work, beginning with his nocturnal images of urban landscapes from the early eighties. He continues this theme in his latest panoramic sequences, which offer views so wide they extend beyond what we can physically see with our own eyes. Through his images, we see beyond our senses.

Rittermann sometimes renders the ominous as serene and vice versa. He awakens our sense of discovery by bringing us images of uncelebrated subjects. These often convey a sense of familiarity, inviting communion with the viewer. The meeting with the subject becomes a private, intimate occasion.

Rittermann began photographing in Hannover, Germany, where he co-founded a photography gallery and taught

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Robert Irwin & Philipp Scholz Rittermann

In June of 2013, Robert Irwin’s site-specific installation Who’s Afraid of Red, Yellow & Blue III was installed at 6 Burlington Gardens in London and subsequently photographed by Philipp Scholz Rittermann. Irwin’s installation, documented here, occupied the entire ground floor space of the gallery. Three highly reflective black and primary colored panels suspended from the ceiling mirrored three identical panels playing with light, reflection, movement, and shadow.

The dynamism of Irwin's piece captured by Rittermann focuses on the interplay between the physical object and the surrounding environment. The viewer is confounded by perception versus reality. Natural and artificial light mix and reflect off of the glossy panels creating an environment which defies logic.

Robert Irwin is an American artist focusing on the exploration and augmentation of perception. He was born in 1928 in Long Beach, California. He attended Otis Art Institute, Jepson Art Institute, and Chouinard Art Institute, and later taught at Chouinard. Irwin beg

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Philipp Scholz Rittermann: China in Transition

Creative Journey

Words: Carol McCusker

Some years ago, Philipp Rittermann had a recurring dream: Camera in hand, he traveled weightlessly through vivid landscapes in a state of exhilaration. The images he captured were like nothing he’d seen before. They were in 3-D, with continuous, running time inside each frame. Knowing he was dreaming, he grabbed a handful of exposed film, hoping to bring it back to the tangible world: He invariably awoke with his hand clenched.

The dream is relevant to the way Rittermann has thought about and made photographs ever since. In 2001 Rittermann’s mid-career museum retrospective and catalog, Navigating by Light (at the Museum of Photographic Arts, San Diego), included numerous multi-paneled panoramas. They were his most complex work to date.

To make the images, he hand-held his camera, pivoting it 360 degrees on a fixed horizon, making exposures every few seconds, anticipating what was about to happen in each frame. Shot on film, scanned, then digitally printed, the panoramas were an attempt