Joaquín sorolla family
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Joaquín Sorolla
Joaquín Sorolla y Bastida was a leading Spanish painter of the late nineteenth and early twentieth centuries. Born in Valencia in 1863 but orphaned as an infant, he was raised by an aunt who recognised and encouraged his precocious artistic talent. He was studying drawing by eleven, painting at the Academy in Valencia in his late teens, and soon exhibiting in Madrid. Not yet 21, his first large history painting was acquired by the Spanish government in 1884.
A prominent career in his homeland was predicted, but early on Sorolla determined on greater fame than that. He began to send large-scale, brilliantly colourful paintings on themes of Spanish peasant life and the problems confronting Spanish society to major exhibitions across Europe and the Americas – Buenos Aires, Chicago, Munich, Paris, Venice, Vienna – where invariably he won prestigious awards and sales to leading institutions. His first exhibition in London, in 1908 where he was advertised as The World’s Greatest Living Painter, disappointed, but an exhibition in New York the following year proved
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Joaquín Sorolla
Spanish painter (1863–1923)
In this Spanish name, the first or paternal surname is Sorolla and the second or maternal family name is Bastida.
Joaquín Sorolla y Bastida (Valencian: Joaquim Sorolla i Bastida, 27 February 1863 – 10 August 1923)[a] was a Spanishpainter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water.[1]
Biography
Early life
Joaquín Sorolla was born on 27 February 1863 in Valencia, Spain. Sorolla was the eldest child born to a tradesman, also named Joaquín Sorolla, and his wife, Concepción Bastida. His sister, Concha, was born a year later. In August 1865, both children were orphaned when their parents died, possibly from cholera. They were thereafter cared for by their maternal aunt and uncle, a locksmith.[2]
He received his initial art education at the age of 9 in
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Biography of Joaquín Sorolla
Valencia, February 27, 1863 - Cercedilla, August 10, 1923)
Self-portrait
Sorolla is the best example of Spanish impressionism, with an interpretation based on the complete importance of light and the movement of figures. Changes in the intensity of light can modify colors and blur forms. Sorolla's colors are pure - without blending - with short, juxtaposed brushstrokes that increase brightness.
According to Sorolla, "Art has nothing to do with ugliness or sadness. Light is the life of everything it touches, so the more light in a painting, the more life, more truth, more beauty." He always placed importance on illumination techniques and his command of drawing and color to reproduce the effects of light. His extraordinary memory allowed him to paint works in a large format that retained the light and movement of an entire scene from one brief moment.
The term "luminism" was created in 1945 by John Baur, the director of the Whitney Museum of New York, to describe a type of United States landscape painting in the mid-twentieth century in
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